A Familys Woes Shown in Juno and the Paycock

A Family's Woes Shown in 'Juno and the Paycock' Some stories depend more heavily on their environment to advance their plots and themes than others. Such is the case with Juno and the Paycock by Sean OCasey. The play follows the plight of a working class family in Ireland during the civil war that rocked that country in 1922. This divisive political backdrop to the story reflects how the characters are disconnected from one another and dont react as a cohesive unit working toward a single goal. Economic woes play a primary part in the unraveling of the family unit. Another facet of setting is the ritualistic religious convictions of the characters, especially Johnny, in their attempt to escape their dilemmas. The financial quandary of the family, the disunity of the political canvas on which their story is painted and their superstitious religious beliefs all define the setting of the play and the way that their surroundings successfully stifles the happiness of the characters. The Boyle familys struggle to communicate with one another is echoed in the dissension taking place among the Irish people outside their door. The citizens of the country have separated into two opposing camps, the Free Staters and the Diehards. When they should be working toward the common goal of independence from Britain, they are instead pitting brother against brother in a futile and bloody outburst of violence. Likewise, inside the Boyle house-where their situation is such that all members of the family might be expected to be working toward the common goal of self-reliance and financial security-there are a multiplicity of differing individuals at work, often laboring at cross-purposes. Mrs. Boyle toils vigorously to keep the entire familys financial heads above water. Taking advantage of this situation is Mr. Boyle, the father, who would normally be expected to be the breadwinner but is instead a lazy drunk and a despicable role model for his son. That son, Johnny, is meanwhi le held captive by the guilt he feels for having betrayed a fellow political comrade. Meanwhile, the daughter Mary is attempting escape from the realities both inside and outside her home by reading books. The family is detached and alienated from each other, fighting with one another over their values and beliefs just as the citizenry of Ireland are doing outside their tenement. Financial worries can either bring a family together or destroy them completely; in this situation those concerns are accomplishing the latter. At the beginning of the play, it quickly becomes apparent that this is a family in dire financial straits. The mother is the only member currently working since Mary is out on strike from her job. Mr. Boyle is making a habit of drinking and carousing and spending what little money he is able to find. Youd think he was bringin twenty pouns a week the way hes going on. He wore out the Health Insurance long ago, hes afther wearin out the unemployment dole, an, now, hes tryin to wear me out (69), says Mrs. Boyle of her husband. Hes an indolent slob who doesnt care where his money comes from as long as hes not forced to earn it through labor. A supposedly game pair of legs is keeping Mr. Boyle from taking a job, sending the family deeper into a financial spiral. Johnny cant work at all because hes missing an arm and his hip has been shot to pieces . Its quite possible that financial gain played a part in his decision to betray his friend Tancred. The Boyles need a miracle, and it would seem that a miracle comes their way when an unexpected inheritance seems destined for their door. The idea of a great deal of money coming in should bring the family closer together, but even that fails. They are living in more splendor, or at least less squalor, as they begin to decorate their home with better furnishings and flowers all about the place. The squabbling continues, only now its progressed to such topics as whether or not they should buy a gramophone and whether or not they are putting themselves into too much debt before they even get the money due them. Their situation in the second act of the play seems hardly better than it was when we first we met them. Money, even the idea of money, seems to be a wedge between their working together to make a joyful home. Christianity plays a major role in the lives of the Irish people; for the Boyles it becomes more of a frustration than an instrument of deliverance from their worries. The Boyles look to their beliefs in the dogma of the Catholic Church as a way of salvation, but their spiritual beliefs are not enough to save them from their destructive-and notably anti-Christian-tendencies. In the actual physical setting of the play, there is a picture of the Virgin Mary with a votive candle constantly kept burning beneath it. Religious images are dispersed throughout the play. At one point Mrs. Boyle says of her husband that hes constantly singin, no less, when he ought always to be on his knees offerin up a Novena for a job (69). Clearly, she thinks prayer is the answer to the heartbreaking question of why her husband refuses to work. This stifles any opportunity for a change in the situation because it is a simplistic approach to the more complex psychological problem of why Mr. Boyle tends to ru n away from the idea of working for a living. Mary was probably named after the Virgin Mary so its ironic that she violated the tenet of the Catholic Church that argues pre-marital sex is a sin. Mary commits the sin of sleeping with Mr. Bentham and predictably winds up with child and without husband. Both Johnny and her father instantly side with the Church by condemning her for bringing shame upon the family. This is very ironic considering both the moral failure of Johnny in his callous betrayal of Tancred and the moral failure of Mr. Boyle, who takes no active part in making sure his family is safe and secure. Finally, there is unique case of Johnny, who exhibits the most intense religious beliefs of any character in the play. Johnny is a man consumed with a very Catholic sense of guilt. The votive candle burning beneath the portrait of the Virgin Mary becomes more than just another religious ritual done regularly and without much conscious thought. The votive candle becomes high ly symbolic for Johnny. He seems to believe that as long its burning hell not have to answer for his great sin of perfidy. He may be right, for almost the minute that the candle goes out the Irregulars arrive to take Johnny to meet his barbarous fate. His belief in his religion has failed to protect him and his family from the ultimate tragedy. The environment in which the story of the Boyles takes place serves up images of violence, poverty and the hope for salvation from sins through religious practice. All of these are presented as background to the story of a family coming apart at the seems. Their story is a microcosm of the events taking place in the larger world outside their walls; a world that also faces violence, poverty and a religion that is a cause of, rather than a solution to, their troubles. Works Cited OCasey, Sean. Juno and the Paycock. Three Dublin Plays. London: Faber Faber Limited, 1998. 67-148.

Application of the Cantor Model of Assertive Discipline on Middle Essay

Application of the Cantor Model of Assertive Discipline on Middle School Students - Essay Example The credo upheld by the familiar phrase promotes a sense of authority for the elder to exercise his right over the child. The elder does so with the intention to correct the child of a misdeed and with the purpose of restoring him to a pleasing and proper character. On one hand, it does not permit a loose and passive control of the behavior of the child for no evil deed goes unpunished. On the other hand, it should not, however, get into the verge of total prohibition nor physical abuse for a wrongdoing for the goal is to restore the child. If done beyond appropriate bounds, the child may resent or may develop a sense of fear. A similar philosophy can be applied in the context of classroom management. The Cantor Model, specifically, fosters this idea. The model stresses the importance of assertive discipline. Teachers have to ensure that the class upholds respect for authority and that students may behave as they please but with caution and awareness that they are responsible for the ir actions (Allen, 1996). Body The Cantor Model can be very suitable for Middle School students because in its practice, the students are given the freedom to learn in a fashion they want but they will be made to really think before they act. Being aware that they will be held liable for any inappropriate behavior, they will first have to assess if an action they wish to perform will be beneficial for them or not. This way, critical thinking may be cultivated in them. The age bracket of Middle School generally falls under the start of the adolescent stage. Sixth to eighth graders would fall in this category. It is the stage when the teen wants to explore more, but may have a struggle with his identity. It is also the stage when he may show occasional rudeness to parents, believing they interfere in his independence. Peer groups generally influence his personal style. The teen may also exhibit childish behaviors when stressed. However, it is good to note that at this developmental le vel, the youth becomes more efficient is using speech to express himself, more interested in intellectual pursuits, and is more able to do work may it be physical, intellectual or emotional (Normal Adolescent Development, 2001). Being guided accordingly by the Canter Model, the educator can use several strategies for classroom management for sixth to eighth graders, maintaining proper overall conduct of the class, without being passive nor hostile. Middle School students will be allowed to practice their independence by choosing a learning style that is suitable for them but the teacher ensures that the classroom rules are not bent just to cater to the demands of students. Firstly, the educator may use student engagement strategies to keep students on task. This method recognizes that there is no single formula to get the attention of all the students. Each has his own interests that will get the student working on the task. In application, the teacher may have the class view a film related to the topic being discussed. They shall then make a reflection on it in a way they deem creative but personal. They can express their opinions through their preferred interest—they can make a song, a poem, a story, a drawing, etc. The educator can give a hint of assertiveness in simply setting a strict deadline, or specifications (e.g. story should not be less than ten pages long, or the song should only have a maximum of five minutes

Long Form Journalism writing ( see instruction) Article - 1

Long Form Journalism writing ( see instruction) - Article Example To some people, their extreme conviction and dedication in participating the church’s evangelical mission, and in thanksgiving to God seemed like a big mystery. Why are they doing it like a robot? Why are they giving too much dedication not just in thanksgiving God, but in attending all worship services and evangelical missions? In an interview with a church member, he replied, â€Å"we give much importance to our worship services because it is a duty God is waiting for us to fulfill. We have so many reasons to thank God. We were awakened from false teachings of our former religions, and we were given the right to belong to His chosen people in these last days. We doesn’t care even if we miss great opportunities, we doesn’t care even if we can’t report to our office work. What’s most important to us is that we could fulfill God’s given task to us. Our annual thanksgiving is another duty in praising God for all the blessings He is pouring on the entire church, and in the individual member’s lives. We treat everything as God’s gift: life, opportunities, peace, we could not achieve it on our own struggle. That is why we always cling to God, and we believe in His promise of eternal life.† From their issue of God’s Message, their magazine, published on May 2004. There is an article about the Brother Felix Manalo as God’s messenger. Looking backward to the history of the church, it has started in the Philippines by Bro. Felix Y. Manalo(1886-1963). Manalo was born on May 10, 1886, 10 years prior to the Philippine Revolution that ended the 400-year of Spanish colonialism. The church’s members believe that he is the fulfillment of biblical prophecies concerning God’s â€Å"chosen servant† from the â€Å"ends of the earth† mentioned in Is. 41:9-10 and the â€Å"angel ascending from the east† entrusted with the task of sealing the â€Å"servants of God† mentioned in Rev. 7:2-3. He was the eldest child of